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Posted: 2008-08-27 01:06:02
Another installment of the film-a-week-project. Colour 16mm. Close-up lenses duct-taped to the camera. surreal textures. dreamscape. Lots of other pr [more...]ojects in the works, and back to UVic in a week. Seems like there aren't enough hours. Doing a residency at CineVic right now, working on the Steenbeck to finish off a short film about D'Arcy Island sponsored by the NFB's Filmmaker's Assistance Program. Spent the last few days (and the next few also) gearing up for a MeatDraw video that will be shot next week. Four minutes. One continuous shot. From earth to space and back spanning over 3 days. Quite an endeavour, but fun problem-solving. We built the asteroids, clouds and stars yesterday, next we're modding a red wagon into a rocketship, and building satellites. Busy and exciting times.
Another installment of the film-a-week-project. Colour 16mm. Close-up lenses duct-taped to the camera. surreal textures. dreamscape. Lots of other projects in the works, and back to UVic in a week. Seems like there aren't enough hours. Doing a residency at CineVic right now, working on the Steenbeck to finish off a short film about D'Arcy Island sponsored by the NFB's Filmmaker's Assistance Program. Spent the last few days (and the next few also) gearing up for a MeatDraw video that will be shot next week. Four minutes. One continuous shot. From earth to space and back spanning over 3 days. Quite an endeavour, but fun problem-solving. We built the asteroids, clouds and stars yesterday, next we're modding a red wagon into a rocketship, and building satellites. Busy and exciting times.
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Posted: 2008-08-25 02:49:35
It has been a busy summer trying to keep up with everything, but a few more weekly film exercises are getting finished up. This one is called "oxide" [more...]and is a snippit of colour 16mm film. I've been playing around with extension tubes and close-up lenses duct-taped to a Bolex. Some interesting surreal textures when you look at the world so closely. The soundtrack is courtesy of Mike Wolske.
It has been a busy summer trying to keep up with everything, but a few more weekly film exercises are getting finished up. This one is called "oxide" and is a snippit of colour 16mm film. I've been playing around with extension tubes and close-up lenses duct-taped to a Bolex. Some interesting surreal textures when you look at the world so closely. The soundtrack is courtesy of Mike Wolske.
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Posted: 2008-08-17 03:55:55
My Bolex died. In the middle of a shoot. This is the last thing it recorded. I'm calling it "Swansong." My friend Gerald Saul, who has been making a [more...]film-a-week this year as well (and, unlike me, is keeping up with it) did a series of films called "How to be an Experimental Filmmaker" I like the idea, so I made a list that accompanies this week's film How to be an Experimental Filmmaker Step #1 - Use old, antiquated equipment Step #2nbsp; - Get professionals to be your on-screen talent. Make sure they have flown in from another country Step #3 - Forget to close the gate on the camera. Blame the old equipment. (see Step #1) Step #4nbsp; Have the camera completely break down half-way through the shoot (see Step #1) Step #5 - Tint and tone the blurry footage and release it on the internet Step #6 - Pretend that the film ended up exactly as you had planned. The ghostly image is Carly Berrett, an incredible modern dancer from Utah. We met during MediaNet's Dance for the Camera Workshop a couple weeks ago. Lots of fun. Embarrassing that half of the footage didn't work out. nbsp; Fortunately, most of the other footage worked out and will be made into a different film, the film I had initially intended to do (without some of the parts.) Still a lot of post production to do on that, so in the meantime, here is the final film that ran through my Bolex. I find it mesmerizing. Mike Wolske made the soundtrack, but I played around with it a bit.
My Bolex died. In the middle of a shoot. This is the last thing it recorded. I'm calling it "Swansong." My friend Gerald Saul, who has been making a film-a-week this year as well (and, unlike me, is keeping up with it) did a series of films called "How to be an Experimental Filmmaker" I like the idea, so I made a list that accompanies this week's film How to be an Experimental Filmmaker Step #1 - Use old, antiquated equipment Step #2nbsp; - Get professionals to be your on-screen talent. Make sure they have flown in from another country Step #3 - Forget to close the gate on the camera. Blame the old equipment. (see Step #1) Step #4nbsp; Have the camera completely break down half-way through the shoot (see Step #1) Step #5 - Tint and tone the blurry footage and release it on the internet Step #6 - Pretend that the film ended up exactly as you had planned. The ghostly image is Carly Berrett, an incredible modern dancer from Utah. We met during MediaNet's Dance for the Camera Workshop a couple weeks ago. Lots of fun. Embarrassing that half of the footage didn't work out. nbsp; Fortunately, most of the other footage worked out and will be made into a different film, the film I had initially intended to do (without some of the parts.) Still a lot of post production to do on that, so in the meantime, here is the final film that ran through my Bolex. I find it mesmerizing. Mike Wolske made the soundtrack, but I played around with it a bit.
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Posted: 2008-08-12 10:37:16
An experiment with acrylic paints, india inks and drain cleaner on an old 16mm film (I think there's some dog hair in there too) The soundtrack was [more...]made by Clifford Dunn in Seattle, who makes some crazy experimental soundscape stuff with a flute and processor (among other things, I'm sure)...Check out his website: http://www.clifforddunnmusic.com
An experiment with acrylic paints, india inks and drain cleaner on an old 16mm film (I think there's some dog hair in there too) The soundtrack was made by Clifford Dunn in Seattle, who makes some crazy experimental soundscape stuff with a flute and processor (among other things, I'm sure)...Check out his website: http://www.clifforddunnmusic.com
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